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Film & stories

Look more closely at stories, images and sound. From first impressions to conversations after the credits.

Film & stories

Watching documentaries with questions in mind

Observation, testimony, archive material and reconstruction offer different kinds of knowledge.

Film & stories

Drawings, objects, cut-outs and digital figures can be brought into motion in different ways.

Film & stories

Stop-motion combines photographed materials with movement designed one frame at a time.

Film & stories

A short can fully develop a moment, form or idea without behaving like a miniature feature.

Film & stories

Balancing reading, text appearance and shifts of attention when watching a subtitled film.

Film & stories

Using a short scene to hear how voices, translation and acoustic space affect characters.

Film & stories

Separating picture shape, screen shape and zoom before treating black borders as a fault.

Film & stories

Observing cutting rate, movement, information and expectation as separate influences.

Film & stories

Separating the order of events from the order of information without turning a film into a calculation.

Film & stories

Separating claims, images and limits of knowledge rather than calling every uncertainty a lie.

Film & stories

Comparing perspective, time and visible choices rather than simply counting omitted scenes.

Film & stories

Looking again at a familiar story through setting, relationships and staging.